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fileLynda-Dinci-Resolve-12-E-11sYC

Lynda Dinci Resolve Essential Training
  • MP4001 Welcome.mp498.84MB
  • MP4002 Using the exercise files.mp434.89MB
  • MP4003 Using this footage.mp425.32MB
  • MP4004 About this rig.mp434.91MB
  • MP4005 Who should watch this chapter_.mp410.77MB
  • MP4006 The new single-user mode.mp47.27MB
  • MP4007 The new user interface in 4 minutes.mp416.18MB
  • MP4008 Useful new keyboard shortcuts.mp420.20MB
  • MP4009 Five don`t-miss features in 4 minutes.mp419.37MB
  • MP4010 Simple clip reli<x>nking.mp413.34MB
  • MP4011 Media Storage forite shortcuts.mp410.02MB
  • MP4012 art Bins.mp48.42MB
  • MP4013 ooth Cut for jump cut edits.mp49.77MB
  • MP4014 Timeline art Filters.mp412.39MB
  • MP4015 Revealing Resolve`s order of operations pipeline.mp412.67MB
  • MP4016 Bezier handles in Resolve 12.mp413.91MB
  • MP4017 Compound nodes.mp412.38MB
  • MP4018 Tracker - The new 3D perspective tracker.mp417.44MB
  • MP4019 Tracker - The new \fr<x>ame\ behior.mp425.40MB
  • MP4020 Group grading - Collapsing grades to the clip level.mp48.31MB
  • MP4021 Keying - The new 3D keyer.mp49.09MB
  • MP4022 Keying - New Clean Black and Clean White tools.mp48.59MB
  • MP4023 Media nagement panel.mp413.82MB
  • MP4024 id Pro Tools export.mp411.27MB
  • MP4025 Who uses Dinci Resolve_.mp421.73MB
  • MP4026 Overview - The Dinci Resolve toolset.mp432.05MB
  • MP4027 Dinci Resolve vs. DaVinci Resolve Studio.mp449.52MB
  • MP4028 Building a Resolve system - Overview.mp445.37MB
  • MP4029 Building a Resolve system - Computer hardware.mp439.73MB
  • MP4030 Building a Resolve system - Monitors and calibration.mp446.88MB
  • MP4031 Installing and launching Dinci Resolve for the first time.mp429.56MB
  • MP4032 Updating from earlier versions of Dinci Resolve.mp438.20MB
  • MP4033 The default databa<x>se - Disk ba<x>sed.mp428.89MB
  • MP4034 Single-user and multi-user modes.mp414.20MB
  • MP4035 Creating naging and organizing projects.mp433.00MB
  • MP4036 Overview of the Resolve interface.mp433.72MB
  • MP4037 Customizing your workspace (NEW).mp432.85MB
  • MP4038 Resolve System Preferences.mp429.77MB
  • MP4039 Essential Project Settings.mp428.56MB
  • MP4040 Tweaking preferences for better perfornce (NEW).mp432.23MB
  • MP4041 Overview - The Media page.mp439.68MB
  • MP4042 Overview - The Edit page.mp449.99MB
  • MP4043 Overview - The Color page.mp421.17MB
  • MP4044 Overview - The Deliver page.mp418.86MB
  • MP4045 Overview - Dual monitor setup.mp438.41MB
  • MP4046 The Documentary - Analyzing and importing footage.mp424.55MB
  • MP4047 The Documentary - Creating the timeline.mp432.63MB
  • MP4048 The Documentary - Importing an xm<x>l file method 1.mp427.04MB
  • MP4049 The Documentary - Importing an xm<x>l file method 2.mp412.72MB
  • MP4050 Nigating the Edit page.mp456.22MB
  • MP4051 Organizing your media with art Bins.mp416.78MB
  • MP4052 Keyboard shortcuts for editing.mp432.86MB
  • MP4053 Keyboard pping.mp414.52MB
  • MP4054 Additional timeline comnds.mp424.52MB
  • MP4055 Working in the Edit mode.mp431.28MB
  • MP4056 Working in the Trim mode.mp441.58MB
  • MP4057 Trimming in the Source Viewer.mp414.53MB
  • MP4058 Track targeting 101.mp426.12MB
  • MP4059 Working with audio.mp430.36MB
  • MP4060 The Clip Inspector.mp423.41MB
  • MP4061 Working with ti<x>tles.mp424.79MB
  • MP4062 Transitions effects and clip properties.mp425.96MB
  • MP4063 How to prepare a timeline for color correction.mp434.03MB
  • MP40 Exporting xm<x>ls and self-contained reference movies from your NLE.mp438.58MB
  • MP4065 Conforming a timeline with an xm<x>l file.mp431.38MB
  • MP4066 Checking the conform with a reference movie.mp453.52MB
  • MP4067 Autotic scene cut detection - Getting started.mp421.14MB
  • MP4068 Autotic scene cut detection - Pruning your edits.mp428.51MB
  • MP4069 Autotic scene cut detection - Reconstructing the timeline.mp421.22MB
  • MP4070 Autotic scene cut detection - Dealing with dissolves.mp427.80MB
  • MP4071 Creative spotting session - Selecting hero shots and timeline filtering.mp440.88MB
  • MP4072 Using scopes - Analyzing contrast and exposure.mp445.69MB
  • MP4073 Using scopes - Analyzing color and saturation.mp427.04MB
  • MP4074 Using the vectorscope - Analyzing color and saturation.mp423.47MB
  • MP4075 Working with the Broadcast Safe filter.mp418.74MB
  • MP4076 Using video scopes to analyze the hero shots.mp431.80MB
  • MP4077 Colorist lingo - What is a priry correction_.mp429.31MB
  • MP4078 Priry color wheels - The Offset control.mp436.42MB
  • MP4079 Priry color wheels - Lift Gamma Gain brightness.mp435.50MB
  • MP4080 Priry color wheels - Lift Gamma Gain color changes.mp424.48MB
  • MP4081 The priry sliders and YRGB processing.mp441.60MB
  • MP4082 Color wheels - Getting faster with keyboard modifiers.mp417.92MB
  • MP4083 Understanding the Contrast and Pivot controls.mp431.30MB
  • MP4084 Adjusting hue and saturation.mp417.38MB
  • MP4085 The RGB mixer.mp433.35MB
  • MP4086 Using curves as priry corrections.mp424.56MB
  • MP4087 Colorist lingo - What are raw and log forts and lookup tables (LUTs)_.mp451.27MB
  • MP4088 Intro to color correcting - Raw.mp414.64MB
  • MP4089 Intro to color correcting - Log with LUTs.mp423.00MB
  • MP4090 In action - Hero shot and priry grades.mp467.45MB
  • MP4091 Lingo - What is a serial node_.mp429.64MB
  • MP4092 Adding connecting deleting and resetting serial nodes.mp436.16MB
  • MP4093 Node cros - Splitter-Combiner nodes.mp417.61MB
  • MP4094 Specialty nodes - The la<x>yer Mixer node and Parallel node.mp417.57MB
  • MP4095 Using composite modes in the la<x>yer Mixer node.mp422.35MB
  • MP4096 Colorist lingo - What is a secondary correction_.mp425.71MB
  • MP4097 Custom curves as secondary corrections.mp428.48MB
  • MP4098 Log wheels as secondary corrections.mp428.40MB
  • MP4099 Color wheels - Highlight and shadow controls.mp415.60MB
  • MP4100 Color wheels - Color boost and midtone detail controls.mp418.72MB
  • MP4101 Using the Hue vs. curves.mp427.24MB
  • MP4102 Using the Lum vs. and the Sat vs. curves.mp418.15MB
  • MP4103 Targeting corrections with the Hue-Saturation-Luminance (HSL) keyer.mp426.05MB
  • MP4104 Understanding the HSL tte Finesse controls.mp420.55MB
  • MP4105 Targeting corrections with the new 3D keyer.mp426.08MB
  • MP4106 Limiting HSL and 3D keys with Power Windows.mp418.13MB
  • MP4107 Colorist lingo - What is a vignette_.mp414.54MB
  • MP4108 Power Window fundamentals - Basic controls.mp413.07MB
  • MP4109 Power Window fundamentals - nipulating shapes.mp418.96MB
  • MP4110 Power Window fundamentals - Adding and copying and pasting shapes.mp421.11MB
  • MP4111 Color correcting with Power Windows.mp410.34MB
  • MP4112 Node cros - The Add Outside node.mp441.84MB
  • MP4113 Power Windows with the Tracker.mp446.78MB
  • MP4 Fine-tuning your tracking.mp433.17MB
  • MP4115 In action - Hero shots and secondary corrections.mp459.70MB
  • MP4116 Colorist lingo - What is shot tching_ (Keynote).mp433.06MB
  • MP4117 Shot tch workflow - Matching exposure.mp440.77MB
  • MP4118 Shot tch workflow - Matching color.mp453.46MB
  • MP4119 The autotic Shot Match tool.mp436.14MB
  • MP4120 Overview - The Gallery.mp416.51MB
  • MP4121 Gallery - The Reference Wipe.mp416.50MB
  • MP4122 Gallery - Copying grades and nodes.mp420.86MB
  • MP4123 Versions - Flipping between multiple color corrections.mp420.91MB
  • MP4124 tching skin tone - The fundamentals.mp424.95MB
  • MP4125 tching skin tone - Examples.mp440.37MB
  • MP4126 Power grades - Understanding \stills on the go\.mp426.90MB
  • MP4127 In action - Hero shots and shot tching.mp440.74MB
  • MP4128 PowerGrades presets - How to find and use them.mp431.11MB
  • MP4129 Groups - Powerfully grading entire scenes at once.mp431.03MB
  • MP4130 Blur and sharpen - Fundamentals.mp416.89MB
  • MP4131 OpenFX - Using third-party plugins.mp416.96MB
  • MP4132 Render Cache - art mode.mp432.89MB
  • MP4133 Keyframing fundamentals.mp432.04MB
  • MP4134 In action - Hero shots and looks part 1.mp434.81MB
  • MP4135 In action - Hero shots and looks part 2.mp436.76MB
  • MP4136 Rendering - Individual shots.mp434.13MB
  • MP4137 Deliver page - xm<x>ls and delivering individual shots to editorial.mp417.22MB
  • MP4138 Rendering - A self-contained movie.mp429.40MB
  • MP4139 Organizational tips - Archiving your project.mp437.39MB
  • MP4140 Additional color correction resources (Keynote).mp439.40MB
  • MP4141 Goodbye (Keynote).mp426.82MB
  • ZIPEx_Files_Dinci_Resolve_12_EssT.zip2.02GB
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