Lynda-Premiere-pro-Guru--tY9y
- 029 Healing audio.mp498.96MB
- 016 Autotion modes in the mixers.mp459.65MB
- 032 What does broadcast legal mean.mp458.24MB
- 019 Compression.mp454.56MB
- 027 Fixing plosives.mp453.56MB
- 033 Digital peak and true peak.mp451.24MB
- 006 Exporting audio for other artists.mp450.25MB
- 034 Loudness monitoring.mp450.03MB
- 036 Creating stems with submixes.mp444.88MB
- 028 se reduction.mp442.72MB
- 026 Getting clips and projects back to Premiere Pro.mp441.71MB
- 018 Using submixes and bussing audio.mp441.39MB
- 011 Adjusting and oothing keyframes.mp440.27MB
- 010 Keyframing track properties in the Timeline.mp438.78MB
- 039 Creating a multichannel digital output.mp438.61MB
- 017 Using inserts.mp437.79MB
- 023 EQ and de-essing.mp437.69MB
- 008 Switching between track- and clip-level control on the Timeline.mp437.10MB
- 020 Limiting.mp436.96MB
- 024 Sending a clip to Adobe Audition.mp436.85MB
- 013 Overview of the Audio Clip Mixer.mp436.63MB
- 015 Stereo vs. 5.1 vs. multichannel output ster tracks.mp436.38MB
- 035 Level QC.mp435.77MB
- 022 Norlizing.mp435.39MB
- 030 Speed changes.mp435.30MB
- 003 How to use the exercise files.mp434.51MB
- 038 Setting up a multichannel output using stems.mp434.36MB
- 037 Creating stems by muting.mp431.97MB
- 025 Sending a sequence to Adobe Audition.mp431.57MB
- 001 What you`ll learn in this class.mp430.91MB
- 014 Overview of the Track Mixer.mp430.80MB
- 009 Keyframing clip properties in the Timeline.mp430.11MB
- 002 The importance of monitoring.mp429.88MB
- 021 Adjusting gain.mp429.51MB
- 005 Track organization.mp428.18MB
- 012 Adding clip effects.mp426.84MB
- 007 Exporting a video reference.mp426.49MB
- 004 Mix it yourself or hand off to another artist.mp418.18MB
- 031 tching volume.mp416.69MB
- 040 Goodbye.mp412.10MB
- CreateTime2019-02-28
- UpdateTime2019-06-08
- FileTotalCount40
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